No matter how well woven and rich in color, the Oriental rug probably would
cease to fascinate without its seemingly infinite variety of designs.
Regions
develop and jealously guard their own patterns and designs, passing them down
from generation to generation. By studying a design, it often is possible to
date a carpet and determine where it was produced.
To a certain extent, carpet-weaving areas can be divided into those using floral
designs and those using geometric shapes and patterns. Floral patterns dominate
in Persia and India. Caucasian and Turkoman rugs almost always employ geometric
designs; when the rare floral pattern is used in these rugs, the design tends to
be stylized and rectilinear. In Turkey, both floral and geometric designs are
used, although the latter are more common. Chinese rugs are easily recognized by
patterns that include dragons, monsters or fabulous birds.
Most creatures possess symbolic meaning, and, in China, the dragon represents
imperial power and also has strong associations with Confucianism. In Persia,
however, the dragon symbolizes evil; in India, death. Scenes of fighting animals
on Oriental carpets typically represent the struggle between good and evil.
Plants, flowers, and even geometric motifs, also have special meanings. The
cypress tree symbolizes mourning, as well as immortality through death. The palm
and the coconut are metaphors of blessing and fulfillment. The peony symbolizes
wealth, while the lotus foretells a great lineage.
A universal symbol found in South America, Egypt, India and elsewhere is the
geometric swastika that has been a popular border design. In China, the swastika
symbolizes peace -- a meaning apparently ignored in 20th-century Europe. A
frequent Mohammedan symbol is the crescent which signifies faith. Another
universal symbol, the endless knot, represents wisdom and immortality.
Because the Prophet Mohammed spoke against the artistic representation of humans
and animals, geometric patterns often dominate the designs of Islamic peoples.
Although Persia embraced the Islamic Shiite religion, the area's carpet-makers
often continued to decorate their creations with lively animal and human figures
in dream-like surroundings. On the other hand, it is quite rare to find any
animal or human figures on early Turkish rugs.
Turkish prayer rugs are characterized by rich and minutely detailed decoration.
Found on all prayer rugs is the arched mihrab, or prayer niche, which is pointed
to Mecca when the rugs are used in prayer.
